![]() The physical similarity between 4- and 8-track cartridges permitted the development of converters that fit into the increasingly obsolete 4-track tapes and enabled them to be play ed in 8-track players. Not the least reason for this was Ford’s de facto endorsement. The two programs of the 4-track format were like the two sides of an LP, each holding roughly half the total program material.ĭespite 4-track’s potential to deliver better sound quality, it was the 8-track format that eventually dominated. In fact, the format took its name from the fact that two programs, each with two tracks of information (left and right channels of a stereo mix) equal four tracks. The 4-track cartridge had two programs–the tape played all the way around the loop, then switched to the second track and did the same thing all over again. ![]() In the 4-track format, the pinch roller (the wheel that moves the tape along as it plays) was housed in the player. The development of the 8-track format took the basic 4-track technology and refined it, making changes designed to make the tape less likely to jam while playing, and to increase accessibility to individual selections on the tape. He acquired rights to the format and began marketing both players and prerecorded tapes, licensing music from major record labels. Vintage Pioneer CT-3131A Stereo Cassette Tape Deck - For Parts or Repair. Vintage SOUNDESIGN 0459 Stereo 8 Track Play / Record Deck - Black. ![]() Developed in 1956, the 4-track format was originally forsaken as unmarketable and lay dormant until the early ’60s (as far as the consumer market goes), when enterprising E arl Muntz saw its potential. Nobility FD-4 Stereo 8 Track Tape Player Deck Recorder Tested Working. The 4-track cartridge format had a head start over 8-tracks.
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